- - - - - - - Favorite CDs of the 2000s - - - - - - - Favorite CDs of the 1990s - - - - - - -
Showing posts with label killian wells. Show all posts
Showing posts with label killian wells. Show all posts

Sunday, February 24, 2008

Killian Wells

KILLIAN WELLS
"HOT MESS"
(Inferno, 2007)


"Calm Before The Storm"


The story behind me finally getting my hands on this CD is kind-of funny (well, to me, at least). After looking for it, over the course of a month or so as time allowed, at every store in town -- from the independent record stores, to Wal-Mart and its smaller regional competitors, to the "big-box" places like Circuit City and Best Buy -- and even trying to special-order it from the neighborhood record store that I frequent (they didn't even see it listed in their distributor's online catalog), I started thinking that maybe the fact that it was so hard to find was fate's way of trying to tell me that I wouldn't like it. But, every time I went back online and listened to the sound clips, they were growing on me a little bit more ... so I finally gave into that nagging urge and ordered it from Amazon.

Well, assuming I was right in what fate was trying to tell me, it ended up being wrong. New Yorker Killian Wells has crafted an album that's a colorful mix of synth-pop and R&B, with dashes of hip-hop and soul. The '80s influences are the most apparent, but they're subtle enough that the album takes on a distinct 21st-Century feel, and Wells' agile and attractive voice is at the center of the album's appeal. The variety of songs keeps things interesting: a mid-tempo pseudo-love song that could have been sung by either Chris Brown or George Michael ("I Don't Wanna Fall In Love"); a pair of upbeat, syncopated poppers that I could see making minor splashes on radio ("Looking For a Way", "(If Only Life Could Be Like) Hollywood"); a smooth, spacey tune worthy of Savage Garden ("Calm Before The Storm"); and a tasty slice of turn-of-the-millennium Euro-pop that sounds like an outtake from an Adam Rickitt album ("One Night Stand").

As if Wells' musical talent weren't imressive enough -- he co-wrote every song on the album, with the exception of the '80s cover, "Your Love" -- he's quite the entrepreneur as well. He founded Inferno Records, the label on which the album is released and distributed ... and did I mention he even sells his own line of clothing and accessories? To have written, recorded, produced and released by himself (with help from a friend and colleague) an album that has major-label production values takes the kind of talent that will surely give Killian Wells a long career in music, whether he's in front of the mic or at the boards.