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Tuesday, January 29, 2008

Early '90s Month: PC Quest

PC QUEST
"DIRECTIONS"
(RCA, 1992)


"It Must Be Love"


The first album by teen-pop quartet PC Quest, who hailed from Oklahoma, was quite cheesy even by early '90s pop standards, but it had some cute songs that I still have a soft spot for. Their second and final album, "Directions", was a bit more grown-up and again had a handful of songs that were enjoyable, but this time for less shame-inducing reasons -- even Chad Petree, the cherubic sweetie-pie of the group, being in full-on Axl Rose worship mode can more-or-less be forgiven. More mature love songs ("If Love Is Blind", Almost In Love") and catchy rockers ("(She's Not a) Bad Girl", and my favorite "We Could Be Trouble") abound, although there's the occasional clunker, like the seriously dated-sounding cover of "Cathy's Clown".

Having presented PC Quest before in a less-than-flattering light, this time I thought I'd share with you one of their better songs. I think of PC Quest as a kind of "nexus" in my world of music, since I have them to thank for my love of Graham Colton (in whose band Drew Nichols played guitar on their 2004 album) and Shiny Toy Guns (of which Chad Petree is a founding member). Steve Petree co-wrote some of the songs on STG's debut album, and I've heard that Kim Whipkey is now a wife and mother who still sings in her spare time. Maybe they'd rather forget PC Quest, but I'll always remember them with fondness.

Friday, January 25, 2008

Early '90s Month: Scott Grimes

SCOTT GRIMES
"SCOTT GRIMES"
(A&M, 1989)


"Only Love"


Probably best known now for his role as Dr. Morris on "ER" (and before that, as Bailey's best friend Will on "Party Of Five"), actor Scott Grimes first scratched his itch to be a pop singer while still a teenager in 1989. Produced by Richard Carpenter, the album included covers of "You're The Voice" (made popular several years earlier by Heart) and the Carole King staple "You've Got a Friend", as well as a bunch of original tunes.

The album failed to grab the public's attention, and probably sounds somewhat dated now, but it has remained one of my sentimental favorites. None of the songs try to be especially thought-provoking or emotionally evocative; in other words, it's the perfect "entry-level" pop album for an actor trying his hand at a music career. He was actually 17 years old when he recorded this album, but could have easily and unintentionally led one to think he was younger: he looked more youthful than his age back then, and he sang (and still sings) in a higher register than is typical for a guy -- but it's the register in which he sounds the most comfortable, so he can't be blamed.

A few years ago, Grimes returned to the recording studio and released a lengthy album of all-new material, this time in the roots-rock genre, and this time earning him a Billboard-charting single. It's good to know that, should his acting career hit the skids for whatever reason, he's got more than enough talent to keep a music career going.

Tuesday, January 22, 2008

Early '90s Month: Baby Animals

BABY ANIMALS
"BABY ANIMALS"
(Imago, 1991)


"One Word"


Very much in the spirit of Joan Jett and The Blackhearts, Baby Animals recorded two albums of gutsy guitar rock, but with the slight grace and femininity that the presence of a female vocalist almost couldn't help but give it. In the United States they went by virtually unnoticed, but the audience in their native Australia flocked to them in droves, and made their debut recording the best-selling album of the year.

I'm not sure what it is that made me glom onto this group. Not unlike Eleven, the sound of Baby Animals is a bit more dense and raucous than I usually enjoy, plus I'm not usually fond of female singers. But, I've long since stopped wondering why and have just come to appreciate the tunes.

After their second album, Baby Animals disbanded primarily due to the dissolution of the Imago label, after which lead vocalist Suze DeMarchi released a solo album. I just found out the other day, by some bizarre coincidence (Honestly, I had this entry in mind weeks ago for this week and didn't plan this!), that the group reunited last year and just this week are releasing an album comprised of new acoustic re-recordings of their early songs, and a new studio album by the group seems to be in the offing later on this year as well.

Friday, January 18, 2008

Early '90s Month: Eleven

ELEVEN
"AWAKE IN A DREAM"
(Morgan Creek, 1991)


"Water And Power"


As with a few of the other CDs I've been profiling this month, I bought Eleven's debut album without hearing a note of their music in advance ... and I can say that I'm glad it happened that way, because I might have avoided them otherwise and missed out on some great music. In their later albums, Eleven have ventured further toward hard rock and metal, a significantly heavier sound than I normally care for; which makes them one of the "anomalies" in my CD collection.

Eleven's debut album, however, is a much more accessible affair, full of hook-packed, boisterous, stompy fun ... about as "pop" as hard rock (and I use the word "hard" loosely in this case) can get. What is perhaps Eleven's trademark is the fact that there's usually a guitar singing in unison right along with the alternating lead vocals of Alain Johannes and Natasha Shneider, both of whom have very unique voices in their own right. The important thing is not to pigeonhole Eleven too quickly; when a band cites its influences as ranging from Led Zeppelin to Johann Sebastian Bach, how can you?

Eleven's drummer, Jack Irons (except during their 2000 album, "Avantgardedog", when Greg Upchurch filled in), has been part of the Red Hot Chili Peppers and also Pearl Jam. When not recording as Eleven, Johannes and Shneider find themselves with steady work as producers and songwriters, having worked with artists such as Chris Cornell, No Doubt, and UK rockers Steadman.

Tuesday, January 15, 2008

Early '90s Month: Voice Farm

VOICE FARM
"BIGGER COOLER WEIRDER"
(Morgan Creek, 1991)


"Earth"


"Bigger Cooler Weirder", the final album by the duo calling themselves Voice Farm, lived up to at least part of its title, as it is probably the strangest of the albums I'll be featuring in my blog this month. While I didn't quite know what to make of it back then (as I was nowhere near as much into music then as I am now), it now seems to me that they were trying to be a slightly more serious electronica version of They Might Be Giants, the quirky indie-rock combo from New York. But don't get me wrong -- their comparatively short career notwithstanding, my use of the word "trying" doesn't necessarily mean they didn't pull it off.

This album is all over the place, for sure ... there's the avant-garde spoken-word piece "Ode To Buffy" (the Buffy of "Family Affair" fame, not the Vampire Slayer); the pseudo-rap chorus of "Free Love"; the jaunty, TMBG-like "Thank You"; the mainstream-ish pop of "Johnny Belinda"; the tenderly acoustic (as much so as they'd ever get) ballad "Stand By"; and they even throw in a unique take on the old standard "Come On a My House" for good measure. If you have an adventuresome ear, give this one a try.

Myke Reilly and Charly Brown only recorded this one major-label album (and a couple of independent ones) as Voice Farm, and as far as I know haven't made any music together since. A quick search of the web leads me to believe that Reilly is now a professional web designer (you have to admit, there aren't many guys who spell their first name "Myke"), and Brown has kept on playing music independently.

Saturday, January 12, 2008

Early '90s Month: Bounce The Ocean

BOUNCE THE OCEAN
"BOUNCE THE OCEAN"
(Private, 1991)


"Dry Your Eyes"


One of the drawbacks when blogging about lesser-known artists from the early '90s is that, since their careers (at least that stage of them) were over and their CDs were already landing in the bargain bin years before the Internet came of age, information on them can sometimes be hard to come by. That's why I was a bit worried about writing this entry, since I knew virtually nothing about pop duo Bounce The Ocean. But then, just as I was about to give up my search after finding only a few scant references to them on the web, I spotted a glimmer of hope: a message post under a listing of their self-titled CD, claiming to be from Hawk Bjorn, one half of the group. With no way to know for sure if it was really him, or if the email address was even valid anymore (as the post wasn't date-stamped), I decided to take a chance and send an email anyway. As it turns out, I had "struck gold" and got all sorts of information about them from a very friendly and personable guy with a good sense of humor.

Hawk Bjorn (a born-and-bred Swede, as if you couldn't tell by the name) and John Utter (a Washingtonian, also of Scandinavian heritage) became friends at college in Washington and recorded a demo tape, which soon caught the attention of a Hollywood producer who wanted to use their songs in a Patrick Dempsey movie called "Some Girls" (which appears to finally be gettting a DVD release next month ... gotta rent it so I can hear their songs on something other than my CD or MP3 player!). A short time later, after more writing and recording, they christened themselves "Bounce The Ocean", in reference to finding themselves with too many sound layers in a song, ultimately choosing to get rid of the seashore element (the song in question was never released commercially).

Produced by Steve Berlin (Los Lobos) and Michael Omartian (who's worked with Quincy Jones) with help from Glen Ballard (another Alanis Morissette connection), their self-titled album "Bounce The Ocean" yielded a Billboard-charting single in "Throw It All Away" and a modest radio hit in "Wasting My Time", but went largely unnoticed despite selling over a quarter-million copies. As with all my other featured albums, I consider its obscurity an injustice, as their songs have aged rather gracefully and don't sound anywhere near 16 years old. I tend to think of Bounce The Ocean as a kind of "sonic ancestor" of Savage Garden: more acoustic than synth-driven, and without the higher energy dance-pop numbers, but their songs seem to have the same kind of soothing "aura" about them.

Hawk Bjorn continues to make music, and his voice hasn't lost a bit of its unique appeal over the years, as the songs on his MySpace page will attest. If you like the song posted here, and his solo stuff, then go look for their "Bounce The Ocean" album ... it can be easily found, and for a fraction of what I think you'll eventually find it's worth.

Thursday, January 10, 2008

One Hundred ... and Counting!!

We interrupt "Early '90s Month" to bring you ... the one-hundredth post in Thnairg's World Of Music! Jumpin' Jehosaphat, Holy Frejoles, Golly Willickers, and all that other crap!! I knew I was going to have no shortage of music to write about, and I was pretty sure I'd be able to keep this blog going for awhile, but I still can't believe I got to my 100th post so fast.

Anyway, in honor of this landmark, I'd like to present my "iPod 100" ... the songs I'd pick if I were stranded on a desert island with my iPod and it could only hold a hundred songs of my choosing. It might not necessarily be reflective of my favorite artists, 'cause there are some darn good songs out there by artists that I'm otherwise just lukewarm about.

Also, if you don't see any recent songs or artists I've been raving about, it's because I decided to limit the list to songs that are at least one year old, so as not to let my short-term memory give preferential treatment to more recent songs.* So without further delay, here's the list, sorted alphabetically by artist. Keep an eye out, 'cause there might be something "clickable" about some items on the list...!

  1. "Make It Good" by A1
  2. "Just Push Play" by Aerosmith
  3. "Move Along" by All-American Rejects
  4. "Remedy" by Maria Arredondo featuring Espen Lind
  5. "Can't Stop The Pop" by A-Teens
  6. "Paint a Pretty Picture" by Tal Bachman
  7. "The One" by Backstreet Boys
  8. "Break Your Heart" by Barenaked Ladies
  9. "Pinch Me" by Barenaked Ladies
  10. "Miles Away" by Basia
  11. "Give Me The Night" by George Benson
  12. "Blowout" by Bent Fabric
  13. "We're Not In Kansas" by Big Country
  14. "Long Time Coming" by Bottlefly
  15. "Are You Satisfied" by Randall Bramblett
  16. "Living In America" by James Brown
  17. "I Got You" by Nick Carter
  18. "New Boy" by The Connells
  19. "Church Of The Poison Mind" by Culture Club
  20. "'Angel' Main Theme" by Darling Violetta
  21. "Anything" by D-Side
  22. "Wild Boys" by Duran Duran
  23. "All Over The World" by Electric Light Orchestra
  24. "Rainbow's End" by Eleven
  25. "Make Your Own Kind Of Music" by Cass Elliot
  26. "Falling" by Eman
  27. "You're an Ocean" by Fastball
  28. "Strange" by The Feeling
  29. "Star Trekkin'" by The Firm
  30. "Hear Me Now" by Five
  31. "Everyone Deserves Music" by Michael Franti & Spearhead
  32. "I Believe" by Stephen Gately
  33. "Stop" by Gil
  34. "You Make My Dreams" by Daryl Hall & John Oates
  35. "If Only" by Hanson
  36. "Lost Without Each Other" by Hanson
  37. "Don't Believe You Anymore" by Colin Hay
  38. "Spin" by Darren Hayes
  39. "Pink And Black" by Tyler Hilton
  40. "River Of Dreams" by Billy Joel
  41. "I'm Still Standing" by Elton John
  42. "Just The Way It Is" by Kavana
  43. "Crystal Ball" by Keane
  44. "Inhale Positivity" by Lazyboy
  45. "Gamble Everything For Love" by Ben Lee
  46. "Walking On Broken Glass" by Annie Lennox
  47. "Put a Little Love In Your Heart" by Annie Lennox & Al Green
  48. "Jacob's Ladder" by Huey Lewis & The News
  49. "Mother In Law" by Huey Lewis & The News
  50. "Pop From Hell" by Espen Lind
  51. "All I Want Is an Angel" by Espen Lind
  52. "Reclining Civilization" by Brian Mann
  53. "Bent" by Matchbox Twenty
  54. "Say Say Say" by Paul McCartney & Michael Jackson
  55. "I Wanna Hold You" by McFly
  56. "Transylvania" by McFly
  57. "National Anthem Of Love" by Joey McIntyre
  58. "Be Good Johnny" by Men At Work
  59. "Beautiful One" by Milk & Honey Band
  60. "Life On Mars" by The Moffatts
  61. "Ya Ya" by The Moffatts
  62. "Pop" by NSYNC
  63. "Bury My Lovely" by October Project
  64. "Big On Emotion" by One 2 One
  65. "Set Sails Free" by The Origin
  66. "Story Of Love" by OTT
  67. "I Wanna Be Your Boyfriend" by The Party
  68. "We Could Be Trouble" by PC Quest
  69. "Strange Love" by Phixx
  70. "Should Have Been Loved" by The Proclaimers
  71. "You Got It" by Bonnie Raitt
  72. "Rainbow Zephyr" by Relish
  73. "Before I Speak" by Kyle Riabko
  74. "Big Sky" by The Rippingtons
  75. "Weekend In Monaco" by The Rippingtons
  76. "Don't Stop Movin'" by S Club
  77. "Why Don't You & I" by Santana featuring Alex Band
  78. "You'll Have Time" by William Shatner
  79. "Everything We Are" by The Shore
  80. "My Oh My" by Slade
  81. "Hourglass" by Squeeze
  82. "Grounded" by Stir
  83. "Disasterpiece" by Sugar Ray
  84. "The Logical Song" by Supertramp
  85. "Bounce" by Take 5
  86. "Twenty-Nine Palms" by Tangerine Dream
  87. "Creepin' Up Slowly" by Taxiride
  88. "No One Above" by Michael Tolcher
  89. "Believe Me" by Tonic
  90. "Drops Of Jupiter" by Train
  91. "Johnny Belinda" by Voice Farm
  92. "Across The Universe" by Rufus Wainwright
  93. "Don't Say Sarah" by Wave
  94. "Change Your Mind" by Westlife
  95. "Love Is All Around" by Wet Wet Wet
  96. "If I Ever Lose This Love" by Christian Wunderlich
  97. "Generic Blues" by "Weird Al" Yankovic
  98. "It's All About The Pentiums" by "Weird Al" Yankovic
  99. "Niki Nana" by Yanni
  100. "Leave It" by Yes

*Okay, just because I like to make the most of my lists and put my own little twists on them, I'm gonna add three songs that are less than a year old. After all, there's always a little "wiggle room" in the song capacity of the average iPod, right?

101. "Racing" by Erik Faber & Marte Wulff
102. "Touched By Love" by Eran James
103. "Reach Out" by Take That

Tuesday, January 8, 2008

Early '90s Month: One 2 One

ONE 2 ONE
"IMAGINE IT"
(A&M, 1992)


"Gypsy Girl"


With its combo of producer-instrumentalist Leslie Howe (who was a key figure in the initial, "mall-pop-princess" stage of Alanis Morissette's career) and vocalist Louise Reny, One 2 One was Canada's answer to the Dave Stewart/Annie Lennox pairing of Eurythmics, but with songs that decidedly looked more on the sunny side of things. Having previously released two albums (under the slightly different moniker One To One) in Canada on the Bonaire label, they were signed by Herb Alpert to A&M Records and made their U.S. debut in 1992. This album spawned a modest radio hit in the U.S. with the single "Peace Of Mind (Love Goes On)".

Of all the albums I'm showing you as part of "Early '90s Month", this is probably my favorite; I have come to dearly love each and every track on it, and have never gotten tired of listening to it (when I remember that it's nestled in my collection, that is). As sentimental as my attachment to it is, there's more to it than that. I've always looked at this CD as one of those "more than the sum of its parts" albums, like Take That's "Beautiful World".*

This was Howe and Reny's last album as One 2 One; they would soon hop on the grunge bandwagon, forming a full band and recording an album under the name Sal's Birdland (Reny oddly called herself "Sal" in the liner notes from this point on) in 1995, and one more as Artificial Joy Club in 1997. But in my opinion, they've never sounded as intangibly magical as they did on "Imagine It". Maybe the album does sound dated now and probably couldn't be taken all that seriously anymore, but I'll forever treasure it.

*Well ... I suppose it could also have a little something to do with the fact that they thank the cast of "Star Trek: The Next Generation" in the liner notes, too...!

Friday, January 4, 2008

Early '90s Month: Chesney Hawkes

CHESNEY HAWKES
"THE ONE AND ONLY"
(Chrysalis, 1991)


"Nothing Serious"


With his (barely) Top Ten single "The One And Only", British pop singer Chesney Hawkes ended up being a "one-hit wonder" in the United States, and in his native UK he was only marginally more successful than that. While the forementioned single spent five weeks at #1 on the UK chart, his second single was the only other one to make it into the Top 40. His debut album, released in the U.S. under the title "The One And Only" and in the UK as the soundtrack to the film "Buddy's Song" (in which he starred), performed respectably in the UK but went by essentially unnoticed here in the States.

It's kind-of a shame, really, that the album is all but forgotten. It may not be a masterpiece, but it's got enough energetic synth-pop hooks to hold its own against any of the teen-pop that would be released a decade later. Additionally, Hawkes' endearingly idiosyncratic vocals (I think a big reason I like Ben Jelen is because his voice reminds me of Hawkes') add to the album's overall appeal. Just listen to the download and you'll see what I mean.

Hawkes' music output since then has been sporadic; he released a second album a couple of years later, but (with the exception of a greatest hits disc in 2005), he didn't release another recording until just last year. But, if you ask me, none of his albums have been nearly as fun as his first.

Tuesday, January 1, 2008

Early '90s Month: The Origin

I've talked a bit before about the birth of my passion for music, and last month the inspiration struck me: what better way to kick off the new year than to travel back in time a decade and a half?!? So, every Tuesday and Friday (at least, that's the planned schedule) of this January, I'll be spotlighting one of the CDs from the early 1990s that has since been, and will forever remain, a permanent part of my music collection. As a part of this special series, I'll include a song download with each and every post of "Early '90s Month".

THE ORIGIN
"THE ORIGIN"
(Virgin, 1990)


"Growing Old"


The Origin were a short-lived acoustic pop-rock band based in California. Frontman Michael Andrews' songwriting skills and charmingly unique voice were at the heart of this group's appeal, and their self-titled debut album was a briskly engaging set of spirited, semi-folksy tunes. Sadly, they would only release one more album before disappearing from the music scene in 1993.

Even though the album came out in 1990, I actually didn't discover it until several years later, when I happened upon the cassette version in a dusty budget bin at a local record store. Not expecting much, I plunked down the 50 cents it cost me, and a friend of mine (visiting from out of town) and I popped it into the car's tape deck on a morning drive. Well, we were both instantly captivated, playing it repeatedly during his week-long stay, and we scoured the internet until we each found our own copies on CD.

Unfortunately, lack of promotion by the group's label, Virgin Records, led to poor sales of their two albums, after which they were dropped from the label and subsequently broke up. Since then, Michael Andrews has remained hard at work in the music world: as a part of the acid-jazz band Greyboy Allstars; composing Hollywood scores, most notably for the film "Donnie Darko" and the TV series "Freaks & Geeks"; and most recently releasing a solo album, "Hand On String", in 2006.